Are you looking to use the picture mask for color grading, special effects, or anything else? You can accomplish this from inside of Adobe Premiere Pro.
In Adobe Premiere Pro, you may rapidly create image masks to save time when editing films when certain picture elements need to be replaced.
The thorough instructions that follow will show you how simple it is. Near the conclusion of this piece, we’ll go through some other situations that could need you to construct masks and how to manage them.
1. Select a Workspace
The photographs that need to be masked are on your timeline; select Window, Workspaces, then Editing to access them.
After doing this, you should be able to choose the Effect Controls tab in the upper left-hand window, if it isn’t already open.
2. Remove the bottom clip
A mask that has been dug out of a clip exposes everything beneath it, just as a hole that has been made in it. If nothing is visible underneath your clip, there will be less room for error as you begin to understand the numerous applications of an image mask.
3. Highlight Your Clip
You should now be able to see the image you’re working on in the Program Monitor. By highlighting it, you can make sure that your work only affects this specific clip.
4. Create an opaque mask.
After the Opacity twirl-down controls are engaged, three icons—an ellipse, a four-point polygon mask, and a pen tool—are shown directly below the Opacity heading. The following are the three options for creating a one-of-a-kind mask.
Choose the pen tool for the time being. In this instance, I’m masking out the reflection in the mirror, so I’ve added points to each corner.
When you click the first point you created to dismiss the form, a blank area will appear around the mask.
5. Reversing a mask
The mask’s inside may be made dark so that the original video can be seen by selecting the Inverted check box a few rows below.
You may modify details like the feathered edge’s size, amount, and initial placement in order to customize how your mask integrates into the image.
You can highlight Mask (1) to make the mask you made visible if the blue outline of your mask is not already visible.
6. Place the Next Clip Below
On Footage Track 1, position the clip that contains the video that will be seen through your mask just beneath the clip that will be hidden. The area of the video that you earlier deleted ought to be back in view.
You may alter the alignment of the video on Video Track 1 by choosing the clip and moving it using the x and y coordinates in the Motion tab of the Effects Controls.
substitute displays for screens
One of the most frequent applications for masks and situations where you’ll need to have this information on hand is screen replacements for business clients.
Last week, a corporate client of mine asked me to remove a screen off the back of a picture because it had sensitive information on it that they couldn’t let to be seen.
Robbie Janney from Shutterstock Tutorials shows how to create amazing screen replacements in After Effects and Premiere. Just so you know, the instructions are similar to those I previously described. There are many different masking techniques, and neither the tools nor the how-tos have changed.
The main difference between this lesson and the one above is that Robbie uses a green screen for the masking.
Here are some helpful hints:
Open the built-in picture app on your phone and browse to the green.jpg file you obtained from the internet. Use it to capture the video, covering the entire phone screen while you do so. You may use this technique to move objects around the screen without affecting the screen replacement.
All four corners of your device must be visible when you reach the motion tracking phase of this tutorial in order to precisely track the image.
Earlier lessons and articles covered the full spectrum of entertainment masking might offer. For instance, the Shutterstock Tutorials team offered a brilliant insight about using lighting masks to boost production value when money was tight.
It’s a lovely illustration of how masks can be used to add, subtract, and edit images to produce whatever type of image you choose.
One fundamental idea I like to follow or keep in mind is that masks work by stacking clips on top of one another and then choosing what has to be removed from and added to the original Master plate (clip).
Another purpose for masks is
The Opacity effect options in Premiere Pro don’t only let you create masks. Even while it is a popular and effective way to utilize masking, there are more beneficial uses for a mask that combine effect settings, such as Lumetri Color, to add color to a specific area of a photo.
Masks can also help with accurate sampling isolation by regulating a color qualifier during a subsequent color-grading process.
A video in which the same actor appears more than once (or twice) in a single frame may likewise be created using masks. The next step is to animate the photo masks you’ve created by monitoring image objects.
